Focusrite Clarett+ OctoPre Mic Pre Amp

Focusrite
Focusrite Clarett+ OctoPre Mic Pre Amp
699 €

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Focusrite Clarett+ OctoPre Mic Pre Amp
Focusrite Clarett+ OctoPre Mic Pre Amp
699 €
Orange Crush 3mts Instrument Cable
Orange Crush 3mts Instrument Cable
15 €

Clarett+ OctoPre

The Clarett+ OctoPre is the eight-channel ADAT preamp designed to bring pure analogue sound to your studio.


The eight Clarett preamps have been meticulously engineered to bring authentic large-format studio sound to any ADAT enabled interface. All-analogue Air mode, with impedance switching, recreates the legendary effect of Focusrite's ISA mic pres, adding clarity and presence to drums, guitars and vocals. Two JFET instrument inputs capture the true characteristics of guitars, just like plugging into an amp. High-quality A-D/D-A converters brings audio clarity to studio tracking sessions with high dynamic range, ultra-low noise, and ultra-low distortion. Ten balanced outputs are hum-free for pristine monitoring, mixing and mastering with studio monitors.


Add Clarett+ OctoPre to a 2Pre, 4Pre or 8Pre to expand your I/O easily and consistently via ADAT. Record the whole band together while maintaining analogue purity and clarity as well as bringing the classic Focusrite Studio Console sound to your recordings.

Features
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Eight inputs, eight outputs; eight Clarett mic pres with two Hi-Z JFET instrument inputs, eight balanced outputs and eight-in, eight-out over ADAT.
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All-analogue Air mode, with impedance switching, adds presence and clarity to your recordings, recreating the legendary character of the ISA.
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Low distortion, 24-bit/192 kHz converters with up to 124dB dynamic range deliver incredible sound quality.
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High-quality inserts preserve the sound of your studio outboard, and effortlessly bring your favourite hardware into your session.
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ADAT connectivity to bring pure sound to any studio.
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Three-year warranty and award-winning customer support for life.
Specifications
Focusrite Clarett+ OctoPre Mic Pre Amp
Mic Inputs
Frequency Response 20 - 20kHz
± < 0.03dB
Frequency Response 20 - 35kHz
± < 0.15dB
Dynamic Range (min gain)
118dB
THD+N (-1dBFS, +20dB gain
-110dB
Noise EIN
-129dBu
O nível máximo de sinal que podemos injetar nas entradas áudio do equipamento. Após isso entramos em distorção, o que poderá estragar o sinal ou até danificar o equipamento.
Max Input Level
18dBu
Gain Range
+57dB
Line Inputs
Frequency Response 20 - 20kHz
± < 0.05dB
Frequency Response 20 - 35kHz
± < 0.15dB
Dynamic Range (min gain)
118dB
THD+N (-1dBFS, min gain)
-100dB
O nível máximo de sinal que podemos injetar nas entradas áudio do equipamento. Após isso entramos em distorção, o que poderá estragar o sinal ou até danificar o equipamento.
Max Input Level
26dBu
Gain Range
+57dB
Instrument Inputs
Frequency Response 20 - 20kHz
± < 0.04dB
Frequency Response 20 - 35kHz
± < 0.15dB
Indica qual a faixa dinâmica, em décibeis, possibilitada pelo equipamento.
Dynamic Range
116dB
THD+N (-1dBFS, min gain)
-96.5dB
O nível máximo de sinal que podemos injetar nas entradas áudio do equipamento. Após isso entramos em distorção, o que poderá estragar o sinal ou até danificar o equipamento.
Max Input Level
15dBu
Gain Range
+57dB
Line Outputs
Frequency Response 20 - 20kHz
± < 0.02dB
Frequency Response 20 - 35kHz
± < 0.02dB
Indica qual a faixa dinâmica, em décibeis, possibilitada pelo equipamento.
Dynamic Range
124dB
Indica o volume máximo da saída de som do aparelho.
Max Output Level
18dBu
Indica a distorção harmónica total, do inglês total harmonic distortion (THD). Valores de distorção menores significam que os componentes em um alto-falante, amplificador ou microfone, ou outro equipamento, produzem uma reprodução mais precisa de uma gravação
THD+N
-106dB